Sunday, February 28, 2010
there are two colours in my head
Kina Grannis - Valentine
Friend highlighted this song to me. Said it made her smile and brightened up her day. And well, it IS a sweet, poppy and fun love song all rolled into one. Pretty voice and such lovely lyrics, how's anyone to resist? Listen to this, she's American, BUT she's of Japanese, English, Irish, French, Dutch, Welsh and Scottish descent. What a mouthful and 7 ancestry lines? Oddly, I thought she was Greek when I first saw her name.
Pantha du Prince - The Splendour
Splendid indeed. Magic woven into the fabric of this song, with a touch of mystery. The subtle lines of minimality dotted with plinks make this a song to be savoured.
Lifelike - So Electric
Another song that describes itself. Hmms, coincidental or not?
Radiohead - Everything In Its Right Place
It's Radiohead, I don't think I'll do justice by trying to describe the song.
Labels:
Kina Grannis,
Lifelike,
Pantha du Prince,
Radiohead
Saturday, February 27, 2010
The Saturday Mix #37 - i'm obsessed with the mess that's america
Marina & the Diamonds - Hollywood
Fresh song and tongue in cheek on what Hollywood is in the eyes Marina Lambrini Diamandis. Sweeet stuff.
Marina & the Diamonds - Hollywood (Monarchy 'Gliese' Remix)
Miike Snow - Silvia (Hook N Sling & Goodwill Remix)
Silvia was always there for the picking. Glad to see more remixes on this fantastic dance ballad. Extended remix which is hell sleek. It plays up the tempo at right moments, inducing involuntary body movement; and down tempo at nice smooth chunks where you just wanna soak that beat in.
The xx - Basic Space (diskJokke Remix)
An injection of scratchy and out of this world beats make this one fine remix.
Delphic - Halcyon
More Delphic with rock infused electro this time round. I like this touch that veers off the track beaten out by their electronic music.
Delphic - Halcyon (L-Vis 1990 Remix)
This is threatening to make a riot out of my mind.
Massive Attack - Paradise Circus (Breakage's Tight Rope Remix)
I swear that Hope Sandoval's vocals can wipe armies in an instant. Captivating, murmur at times, sensual at others, but whatever it is, it's like a massive magnet.
Friday, February 26, 2010
i'll be the one to show you the way
Holiday for Strings - particles
Hello, I'm Alice and welcome to woozy wooonderland. That's exactly what I feel about this song. HfS is a quintet with Pony who also drums for Thieves Like Us. Also on board is John from Swedish band Peter, Bjorn and John. The remaining 3 guys are from professions you'd least expect. All 3 are professional chefs! How funky is that? How's that for good food on the road while touring.
Chew Lips - Karen
Check out the latest drop from Chew Lips. I don't understand what's all the bashing and hate going on, while the video isn't spectacular or outstanding, one has to realise the strength of Chew Lips lies in Tig's voice. Gee, music is all about expression. But I don't think expression of hate is the way to go. I read that they just blow you away live, while I prolly don't have the chance to hear them live just yet, but if they are anything like The xx, I'm pretty sure they're damn good.
Lovvers - OCD GO GO Girls
Buzzy voice which brings to mind those scratchy tapes from the 40s or 50s, and the jumpy mood brought about by rabid drumming and bouncy riffs. The first few seconds into the song sounded uncannily like Kings of Leon's Sex on Fire but all similarity ends there.
Kings of Leon - The Bucket
Old stuff is gold.
Labels:
Chew Lips,
Holiday for Strings,
Kings of Leon,
Lovvers
Wednesday, February 24, 2010
they tried to stay in from the cold and wind
Photo courtesy of clumsybird
My cat does not know me when we meet a block away from home, and I gather from his expression that I’m not supposed to know him, either.
- Guy Davenport in The Geography of the Imagination
Feist - Gatekeeper
Read a book by the fireside, drinking a nice warm cuppa while a light snow's going on outside. That's what this song is.
French Horn Rebellion - Broken Heart
Extremely cute and fun song/video which sees them doing random dance stuff, not helped by another random guy "jacking off" a mustard sauce bottle and subsequently with an extra tomato sauce bottle. Totally in the vein of the other video for the song Up All Night. Very preppish pop fun. I like the bandana, makes him look like some old school comic character.
Feist and Ben Gibbard - Train Song
Brilliant cover of Vashti Bunyan's classic. Ben Gibbard is frontman of The Postal Service and husband of Zooey Deschanel.
Labels:
Ben Gibbard,
Feist,
French Horn Rebellion
Tuesday, February 23, 2010
study the signs of age
This will be a short post. Gonna plug this local band named Humpback Oak. Interesting name and a few listens reveal quite a mellow quartet at their best with slow folk-ish rock.
Humpback Oak - Deep Door Down
Humpback Oak - Ghostfather
Gotta give them credit for not dishing out simple tried and tested rock with lyrics for the sake of having lyrics. They've clearly put heart and thought into their lyrics which are affecting. Like their solos too. However, one minor thing is that I find they are a little too repetitive in their songs.
Labels:
Humpback Oak
Sunday, February 21, 2010
but your random ways swept me along
Sometimes I felt I would never
come out of the woods, I thought
its deeper darkness might absorb me
or feed me to the black turkeys
and I would cry out for the dog
and the dog would not answer.
- TURKEYS by Galway Kinnell
Wax Tailor - Seize The Day
Little Dragon - Twice
Midlake - Young Bride
Fredrik - Vinterbarn
Helplessness; that feeling. Emptiness; engulfing you. Wandering aimlessly in that shroud of white on what used to be green. A lone wrapper on the table. A gust of wind taking it in a swish.
Labels:
Fredrik,
Little Dragon,
Midlake,
Wax Tailor
Saturday, February 20, 2010
The Saturday Mix #36
Massive Attack - Paradise Circus (Gui Boratto Remix)
Yeasayer - Ambling Alp (Memory Tapes Remix)
I like the remix, except for that odd bit starting around 2:20, it kinda spoiled the whole shizzle. Damn it.
Broken Social Scene - World Sick
Anomaly here, but just in from here, Broken Social Scene's releasing their new album "Forgiveness Rock Record" on May 4. Say what? What's music without BSS and their motley crew of talented musicians? Oh have we been waiting for this day. Get a listen on the free track they've provided, World Sick. It's one massive track and let's hear a collective O-M-G please. Gradual build up of the intro built around country-ish strumming that is an indication of how wonderful this song could/would/will be. You think that the song title is about how the world is "sick", still on the road to recovery from all the what nots that have happened in 2009? Smooth pace and strong vocals with prerequisite rock stuff and precise orchestration from BSS ensure that hype for their upcoming album will build. Will it be a climatic explosion like around 4:00 or lukewarm like around 5:05? I sure hope it's the former and will be waiting for May 4 with eager anticipation.
Ellie Goulding - Starry Eyed
Pop at it's boppy best. A few remixes here and there and it's all primed for the sweaty grinding of the dance floor. Pretty fanciful video.
Ellie Goulding - Starry Eyed (Monarchy Remix)
Slowed down remix suited for closing the night but it totally belies the fact that it's two hot new acts in one song, cue supernova. Spacey feel tendered by Monarchy that makes you feel all doozy and Ellie Goulding's vocals messing with your mind. Lovely.
Ellie Goulding - Starry Eyed (Penguin Prison feat. Theophilus London Remix)
Solid and power packed, Theophilus London gives it his treatment with some additional vocals for that R&B touch and Penguin Prison runs it through the works. Voila, let's roll people.
Monarchy - Gold In The Fire (Flak Attack Remix)
Got your order! One dope remix coming right up. I don't know who Flak Attack is, but one thing for sure this is a fucking sick remix. It definitely can stop a raging bear right in it's tracks, much less me. Beam me up Scotty! Maybe a new autoKratz + Delphic. Don't bet against it, but Monarchy's gonna be huge.
Friday, February 19, 2010
look at her with her eyes like a flame
Savoir Adore - Bodies
This duo of Deidre Muro and Paul Hammer makes lovely music. Get 3 free tracks here. The intro is upbeat and already seems like they're having some real good fun there, along with the whole slew of instruments in the background. Funky.
Weinland - Sunken Eyes
A very unique voice, different from most, but there's this oddly alluring quality to his voice that totally suits their brooding sound to a T. Affecting and well arranged, this is a pretty damn fine folk song I must say.
Gossip - Dimestore Diamond
Massive Attack - Paradise Circus (feat. Hope Sandoval)
Hope Sandoval's breathy vocals makes this an excellent track. With minimal workings from the duo, Hope takes centre stage and brings the most out of this track about sin, love and the devil.
Sleep Whale - Cotton Curls
Labels:
Gossip,
Massive Attack,
Savoir Adore,
Sleep Whale,
Weinland
Thursday, February 18, 2010
sick of dressing like a human when i'm feeling like a leopard
Kings of Convenience - Winning A Battle, Losing The War
Exquisite song about either unrequited love or deep friendship, but I'm thinking more the former. These two guys are such excellent musicians with superb lyricism, oh how I envy them.
St. Vincent - Marrow
The distorted guitars when she sings "H-E-L-P, help me, help me" is a brilliant touch to the song.
Harlem Shakes - Strictly Game
Soooo upbeat and fun. The video stumped me initially, I was wondering why everyone was saying it's such a brilliant idea, before I realised that it wasn't a photo stream in a video, it was them keeping still and being filmed - you can see the slight movements in some of them. Totally unexpected but creative as hell, I think the director of the video got his inspiration from many user uploaded vids of songs, where it starts with the song title and band name, and the rest would be just a million of the band's photos until the end.
Dooey Decibel - Summer Underwear (mp3)
With a name like that, his songs had better be fun. And he doesn't disappoint. A medley of electronic sounds and guitar, he melds one fine cutesy song that's a little high on the sugar level. I reckon it would fit well in any animation video, or even a stop motion video.
Labels:
Dooey Decibel,
Harlem Shakes,
Kings Of Convenience,
mp3,
St Vincent
Wednesday, February 17, 2010
let's not try to figure out everything at once
The National - Fake Empire
Mackintosh Braun - Wake Up
Chuck (the show) brought my attention to this song of theirs. Here was fantastic and this revels in the same electronic soundscape. Pleasant and easy on the ears, with a simple beat that makes you tap your feet, I really think these guys are one to look out for. This is what they said of their album, "The idea was to create an album that you didn’t have to skip through, hopefully this is one of those albums for people."
Scanners - Salvation
Wild Beasts - Two Dancers I
One of the most underrated bands of last year, they were stellar and slipped under the radar of most. Raw and filled with vivid imagery (not very pleasant ones), the outcome is a gritty and tight song that makes one feel disconsolate.
Labels:
Mackintosh Braun,
Scanners,
The National,
Wild Beasts
Tuesday, February 16, 2010
like stars burning holes right through the dark
Well, here's a lot of music to compensate for the lack of music for the past couple of days, been celebrating.
Nedry - Apples & Pears
Pretty interesting song with quite haunting vocals and electronic-ky stuff going on. Sometimes it's semi/full acoustic-electronic, if you get my drift. Oh like another song, Clouded which is terrific in my opinion. A little ambient, if you discount the whole blips and electronic thingamajig.
Ayu - Marching of the Night
She's the vocalist of Nedry. This track was her solo work, which shows how good her vocals are.
Discovery - Orange Shirt (mp3)
UBER cute, sweet little love song, just don't die on the sugar overdose. I really didn't expect this when clicking play. Neat touch that most can appreciate.
The xx - Basic Space (mp3)
For those not on The xx bandwagon yet (when are you ever gonna get on it huh?), get right on now with this download offered on their parent label site. You'd be hard-pressed to not love their music.
Run Toto Run - Sleepyhead (Passion Pit Cover)
Holy crikes, check this awesome cover of Passion Pit's song. Fantastic rendition without ANY synths or electronica or whatever. Just the guitar, xylophone, simple keyboard which she almost doesn't seem to use, a banjo or ukulele (i can't really make it out in the shadow) and violin. Damn it, it's good man. And the two guys in headmasks playing their instruments, esp the violin made me burst out in laughter. The whole juxtaposition is hilarious. Props much to Run Toto Run.
Here's what they said on myspace under this embedded video, "Email mail@runtotorun.co.uk and we'll email you the mp3".
The Big Pink - Love In Vain
All nice and slow, good change from their usual sound.
Anya Marina - Whatever You Like (T.I. Cover)
Really sexy and breathy cover of T.I.'s popular dance floor song. A collab for the two and a single, how about that?
The Polyamorous Affair - Merry Go Round
Belle du jour, rigga rigga? Party till the break of dawn. Solid track that's as good as New York City.
Labels:
Anya Marina,
Ayu,
Discovery,
mp3,
Nedry,
Passion Pit,
Run Toto Run,
The Big Pink,
The Polyamorous Affair,
The xx
Saturday, February 13, 2010
The Saturday Mix #35 - i'm alone in life to say
Sebastien Tellier - Divine
This dude with all the scraggly beard and all, looks like a certain saviour of the world in a certain tome. (I don't mean any insult, just an entirely innocuous comment, I swear.) But anyhow, back to what I wanted to say, he was selected to represent France in Eurovision 2008 with this song. Love the upbeat vibe and the nonchalance with which he sings about looking for a band and finding the Milky Way.
Sebastien Tellier - Divine (Danger Remix)
Extended remix for your listening pleasure.
Chairlift - Evident Utensil
Check this out at RCRD LBL. Psychedelic madness. Oooh oooh ooohs filled the airspace as you feel yourself go all slushy while those electronic beats pulsate.
Chairlift - Evident Utensil (Jacques Renault Remix)
Hercules & Love Affair - Blind (Frankie Knuckles Remix)
This had to come sooner or later, with all the love I've been giving to the original. Down tempo mix that's given it a house sort of beat. Niceeeeeeee!
HURTS - Wonderful Life (Arthur Baker remix)
Simian Mobile Disco - Cruel Intentions (feat. Beth Ditto) (Joker Dubstep Remix)
Friday, February 12, 2010
love's like a pantheon, it carries on forever
Photo courtesy of Stephane Rotureau.
Chew Lips - Karen
Tigs voice has a very alluring quality that silently reels you in. However, listening to their songs, you'd realise they sound very similar to each other, and this recipe of building on her vocals with synths and the keyboard are repeated.
Beach House - 10 Mile Stereo
Oh yeah, I certainly could leave this on repeat for a 10 mile drive. It's secretly addictive as they don't waste time and open with the line "the heart is a stone and this is a stone that we throw" singing of casting the heart away. The whole dreamy soundscape produced by the synths has become their trademark, and it's what makes this song so lovely. A very peculiar love song that only Legrand and Scally would know the meaning of, while we indulge in said song.
Class Actress - Let Me Take You Out
If I had to describe this song as a woman, it would be a one who is quite pretty, but therein doesn't like the beauty. It's her eyes, the sparkle and the youth emanating from those eyes. That's what this song is like.
Blue Roses - Does Anyone Love Me now
Oh how she reaches those high notes perfectly. As she goes "ohohohohohoh", sighing delicately while trying to find answers about her burning question from the deep sea.
This is said of Blue Roses on their official site, "Instant praise is neither expected nor sought; Blue Roses is not the stuff of lists, tip offs or hollow press recommendations; this is not recollection, it is realisation. It is not music to be forced onto the public for social measurements, or on the merit of affiliation. Blue Roses is to be found, kept and cherished; it is to be absent as the dust begins to settle, and longed for as ambience resumes. Blue Roses is the serendipity that can only happen when you thought you’d stopped looking; as you realise how life sounds without it, you begin again."
How true. Give me a moment to ponder while I click play again and leave her to enchant me beyond measure.
Labels:
Beach House,
Blue Roses,
Chew Lips,
Class Actress
Thursday, February 11, 2010
the loop line takes you round and through
Hercules & Love Affair - Blind
This song is making me go insane. The more I listen to it, the deeper it gets entrenched in this far-reaching and murky crevice of my brain. The song is drawing my entire consciousness into that small entity residing in that very unknown crevice, much like a black hole. The pulsing beat and especially the horn section would start going off in my head for no reason, it's so bloody infectious. Lush and full-bodied, it's almost like restrained insanity, I'm awash with different feelings all at the same time (epiphany doesn't feel like the right word, somehow.) The song is going to consume me.
Letting Up Despite Great Faults - In Steps
I love this. Hazy guitars again, dream-popish, vocals that are almost smothered by said guitars. Warm and fuzzy feeling that's making me feel all good.
Discovery - Osaka Loop Line
I'm being overrun, overwhelmed, overdosed with synths tonight. Not that it's a bad thing. The synths here almost sound like the background sounds in this MS-DOS game I used to play, can't remember the game name though. Hmms, is it tetris? DAMN IT. Hate this feeling of not being able to remember stuff.
Wednesday, February 10, 2010
we have a lot to give one another
Tesla Boy - Electric Lady
Oooh, 80s lush disco.
Jupiter - Mama Used To Say
Joy Orbison - Hyph Mngo
Man I don't know what the title's supposed to mean, but I'm kinda loving this track.
Sufjan Stevens - The Man of Metropolis Steals Our Hearts
Excellent voice from the man we are all familiar with. The choir joining him in singing the chorus is a cool touch. I like it.
Labels:
Joy Orbison,
Jupiter,
Sufjan Stevens,
Tesla Boy
Tuesday, February 9, 2010
the tragedy starts from the very first spark
Feist - The Water
The wistful voice of Feist, drawn out and hollow at times, I think she sings of desolation. Like how "the harbor becomes the sea/and light in the house keeps it collision free" reflects the solitary light emitting from the lighthouse that sweeps across the vast sea, which is also described as "not knowing it's dangerous size"; also "watching the gray sky that's acting like a good guy". The background piano complements the entire mood of the song perfectly.
Feist - Let It Die
The title song from her 2004 album, it already shows how immensely talented she is. Jazz elements which are not really present in her 2007 album "The Reminder" shows her masterful grasp of several genres. A very straightforward song about break up and it's aftermath.
Beck & Charlotte Gainsbourg - Heaven Can Wait
The daughter of British actress and singer Jane Birkin (who the Hermes Birkin was named after) and French singer-songwriter, actor and director Serge Gainsbourg. Classy song which features Beck strongly. Almost reminds me of the duet Rachael Yamagata did with Ray LaMontagne, except that their styles are quite different. Quirky and upbeat video by the way. Watch it.
Four Tet - She Just Likes To Fight
Beauty in simplicity. No over the top hooks or riffs, deep bass beats or resonating reverbs whatever. Wonderful piece by Kieran Hebden. Sit back and enjoy.
Labels:
Beck,
Charlotte Gainsbourg,
Feist,
Four Tet
Monday, February 8, 2010
this is a gift, it comes with a price
Oh this whole week has been a blast. Went for Muse on Wednesday and was treated to an unbelievable performance by them. They never let up and gave us one hell of a concert. The same could be said of Florence + the Machine and The xx who performed to a sold out crowd yesterday at a monster on a concert.
Photo courtesy of ariddesert.
The announcement came on, asking everyone to get seated to get ready for the start of the concert. As The xx came out, people started getting out of their seats and streamed to the front of the stage. Seeing that no one was taking any action, more went to the front as well, and me and friend obviously went to the front too. The xx dove into Crystalised. I can't remember what the setlist was, it got lost somewhere but I recall Crystalised, VCR, Basic Space, Infinity, Shelter, Islands and Night Time. There was Intro too I think. Anyway, I think they were surprised at the reception they were getting, and I was as well. Most would think (or at least I did) Singaporean fans are the most staid bunch one could expect, but the crowd obliterated that stereotype. Most were cheering wildly for The xx as they performed their pretty short but fantastic set. Initially, I stood in front of the speakers and the bass almost made my heart skip more than a couple of beats - it almost drowned out Croft's voice at certain points, so we had to move back to the aisle away from the speakers before my ears popped and to hear the vocals better. Seeing Jamie Smith work that sampler in the flesh left me awestruck in some ways. I mean damn can that thing make those sounds but seeing Jamie with his hands all over it was neat stuff. Of course, vocal interplay between Croft and Oliver was superb, Oliver's droll translating to how he speaks too. Even with the mic, it was a tad hard to make out what he was saying. That said, the trio delivered a punchy and awesome performance despite the less than stellar sound system, much to everyone's delight. They definitely got the crowd going, who were all set and left wanting for Florence + the Machine who were due after the intermission.
Photo courtesy of friend's friend.
So intermission over, everyone was back in the hall waiting for F+tM to come out, cheers erupted, shouting "Florence, Florence!" Then "the Machine" came out, comprising Robert Ackroyd (guitar), Christopher Lloyd Hayden (drums), Isabella Summers (keyboards), Mark Saunders (bass) and Tom Monger (harp). Where was Florence? She was nowhere to be seen! Cue more cheers as the crowd went semi-manic, unable to contain the overflowing excitement for her. Point to note, now even more people were crammed in the front. And finally she came out with this odd sort of dress/robe, held together by a button in the front and wearing a sort of Lady Gaga-ish swimsuit top(?), but tastefully covered by that huge flowing robe which she used to great effect throughout. Just the sight of the red hair was more than sufficient to send the crowd into overdrive, don't talk about when she starts singing. Launching into My Boy Builds Coffins, she gave us brief glimpses of her vocal prowess. Here's the setlist,
My Boy Builds Coffins
Kiss With A Fist
Hurricane Drunk
Lungs
Drumming Song
Cosmic Love
If I Had A Heart
Blinding
Ghosts
Hospital Beds
Howl
Dog Days Are Over
You've Got The Love
Rabbit Heart (Raise It Up)
If I Had A Heart was a short cover of Fever Ray's song, which I vaguely heard. Thought I was wrong, but yeah seems like I heard it right. She showed Singapore her stratospheric vocals, which soared above and over everything else, literally carrying the entire crowd. I mean, the 5 of them backing her were excellent, but Florence was outstanding, almost eclipsing her backing band. Her vocals and onstage "dancing" drew all attention to her. It was almost as if the backing band faded into the background gracefully while she just dazzled and wowed everybody (I am not taking any credit away from the band as they fully deserve props for supporting Florence wonderfully, just saying what I felt during the concert). That was epitomised by the moment when the whole concert hall went dark, save for one spotlight on her, perfect moment which I failed to capture since my PnS was crappy and it said "Memory Full". I don't feel like going on about how my dslr batt was flat and forgot to charge which I could only blame myself for as something gained from it was being able to soak in the entire atmosphere and indulge myself in everything this flame-haired ingenue is capable of. You see, other than singing, she engaged the crowd which was something The xx didn't do as much. Her antics throughout the entire performance revealed something about her. She was almost shy/reserved and had this intriguing child-like naivete but yet spontaneous and effervescent, and every bit the singer. I believe singing sets her free, much like a butterfly breaking out of it's cocoon and spreading it's wings. You see, someone right in the front had a Polaroid and took a portrait of her and as she got close, he/she gave it to her. She loved it so much and was delighted like a small girl who received a doll. Later, she got borrowed the Polaroid from the same person, to take a picture of the crowd for keepsake, but due to the lights being turned off, she got a black photo which she realised only a little later to which she pouted. So she had to borrow the polaroid again, and the crowd shouted "lights!" and the photo turned out just fine this time. Plain adorable and fun, she was pretty much the power-packed chanteuse that charmed the socks of everyone present. She even stopped to pose for a photo for the person with the polaroid. There were more little antics that endeared her to everyone, but I won't go on describing them. Lastly, much envy to the person (polaroid camera guy/girl) who got her drumstick which she personally gave. Oh, the green eyes.
I enjoyed every bit of the gig. The xx showcasing their minimalist lo-fi (which totally did not sound lo-fi with the ear-smashing bass), coupled with the whispery, almost lulling vocal interplay between Oliver and Romy. Perfect way to start the night. Starkly contrasted by F+tM who soared to great vocal heights, almost operatic, showing why her debut album wasn't named "Lungs" for nothing, at the same time charming the crowd with her antics and pretty deft show(wo)manship. A thorough blast which rounded off my week perfectly.
Couple of vids of the gig.
Florence + the Machine - Kiss With A Fist
Florence + the Machine - Rabbit Heart (Raise It Up)
The xx - VCR
The xx - Crystalised
Photo courtesy of ariddesert.
The announcement came on, asking everyone to get seated to get ready for the start of the concert. As The xx came out, people started getting out of their seats and streamed to the front of the stage. Seeing that no one was taking any action, more went to the front as well, and me and friend obviously went to the front too. The xx dove into Crystalised. I can't remember what the setlist was, it got lost somewhere but I recall Crystalised, VCR, Basic Space, Infinity, Shelter, Islands and Night Time. There was Intro too I think. Anyway, I think they were surprised at the reception they were getting, and I was as well. Most would think (or at least I did) Singaporean fans are the most staid bunch one could expect, but the crowd obliterated that stereotype. Most were cheering wildly for The xx as they performed their pretty short but fantastic set. Initially, I stood in front of the speakers and the bass almost made my heart skip more than a couple of beats - it almost drowned out Croft's voice at certain points, so we had to move back to the aisle away from the speakers before my ears popped and to hear the vocals better. Seeing Jamie Smith work that sampler in the flesh left me awestruck in some ways. I mean damn can that thing make those sounds but seeing Jamie with his hands all over it was neat stuff. Of course, vocal interplay between Croft and Oliver was superb, Oliver's droll translating to how he speaks too. Even with the mic, it was a tad hard to make out what he was saying. That said, the trio delivered a punchy and awesome performance despite the less than stellar sound system, much to everyone's delight. They definitely got the crowd going, who were all set and left wanting for Florence + the Machine who were due after the intermission.
Photo courtesy of friend's friend.
So intermission over, everyone was back in the hall waiting for F+tM to come out, cheers erupted, shouting "Florence, Florence!" Then "the Machine" came out, comprising Robert Ackroyd (guitar), Christopher Lloyd Hayden (drums), Isabella Summers (keyboards), Mark Saunders (bass) and Tom Monger (harp). Where was Florence? She was nowhere to be seen! Cue more cheers as the crowd went semi-manic, unable to contain the overflowing excitement for her. Point to note, now even more people were crammed in the front. And finally she came out with this odd sort of dress/robe, held together by a button in the front and wearing a sort of Lady Gaga-ish swimsuit top(?), but tastefully covered by that huge flowing robe which she used to great effect throughout. Just the sight of the red hair was more than sufficient to send the crowd into overdrive, don't talk about when she starts singing. Launching into My Boy Builds Coffins, she gave us brief glimpses of her vocal prowess. Here's the setlist,
My Boy Builds Coffins
Kiss With A Fist
Hurricane Drunk
Lungs
Drumming Song
Cosmic Love
If I Had A Heart
Blinding
Ghosts
Hospital Beds
Howl
Dog Days Are Over
You've Got The Love
Rabbit Heart (Raise It Up)
If I Had A Heart was a short cover of Fever Ray's song, which I vaguely heard. Thought I was wrong, but yeah seems like I heard it right. She showed Singapore her stratospheric vocals, which soared above and over everything else, literally carrying the entire crowd. I mean, the 5 of them backing her were excellent, but Florence was outstanding, almost eclipsing her backing band. Her vocals and onstage "dancing" drew all attention to her. It was almost as if the backing band faded into the background gracefully while she just dazzled and wowed everybody (I am not taking any credit away from the band as they fully deserve props for supporting Florence wonderfully, just saying what I felt during the concert). That was epitomised by the moment when the whole concert hall went dark, save for one spotlight on her, perfect moment which I failed to capture since my PnS was crappy and it said "Memory Full". I don't feel like going on about how my dslr batt was flat and forgot to charge which I could only blame myself for as something gained from it was being able to soak in the entire atmosphere and indulge myself in everything this flame-haired ingenue is capable of. You see, other than singing, she engaged the crowd which was something The xx didn't do as much. Her antics throughout the entire performance revealed something about her. She was almost shy/reserved and had this intriguing child-like naivete but yet spontaneous and effervescent, and every bit the singer. I believe singing sets her free, much like a butterfly breaking out of it's cocoon and spreading it's wings. You see, someone right in the front had a Polaroid and took a portrait of her and as she got close, he/she gave it to her. She loved it so much and was delighted like a small girl who received a doll. Later, she got borrowed the Polaroid from the same person, to take a picture of the crowd for keepsake, but due to the lights being turned off, she got a black photo which she realised only a little later to which she pouted. So she had to borrow the polaroid again, and the crowd shouted "lights!" and the photo turned out just fine this time. Plain adorable and fun, she was pretty much the power-packed chanteuse that charmed the socks of everyone present. She even stopped to pose for a photo for the person with the polaroid. There were more little antics that endeared her to everyone, but I won't go on describing them. Lastly, much envy to the person (polaroid camera guy/girl) who got her drumstick which she personally gave. Oh, the green eyes.
I enjoyed every bit of the gig. The xx showcasing their minimalist lo-fi (which totally did not sound lo-fi with the ear-smashing bass), coupled with the whispery, almost lulling vocal interplay between Oliver and Romy. Perfect way to start the night. Starkly contrasted by F+tM who soared to great vocal heights, almost operatic, showing why her debut album wasn't named "Lungs" for nothing, at the same time charming the crowd with her antics and pretty deft show(wo)manship. A thorough blast which rounded off my week perfectly.
Couple of vids of the gig.
Florence + the Machine - Kiss With A Fist
Florence + the Machine - Rabbit Heart (Raise It Up)
The xx - VCR
The xx - Crystalised
Labels:
Florence and the Machine,
The xx
Thursday, February 4, 2010
you will squeeze the life out of me
Photo courtesy of Hansel.
Yesterday was Big Night Out 2010, but more accurately put, it was the night of Muse. Saosin and then Rise Against performed small sets. Saosin surprisingly sounded much much louder and wilder than their album songs, like Voices was more screaming rock than I expected. Rise Against came out with similar songs, but surprised us with 2 acoustic numbers which I must admit was good. After which, the lead singer asked us if we were ready for Muse. Guess he knew what most of us were there for. And gee, when Rise Against left the stage, there was almost 40 mins before they came. They kept playing songs over the system, not too loud, and each time the music stopped, everyone would keep cheering, thinking that they would be coming out. BUT IT WAS JUST A TEASE. Anyway, I made out AnCo's My Girls and Cut Copy's Heart on Fire above the noise during the interval. And finally at 10, those 3 came out with a fucking bang. They launched into Uprising as they did for a couple of their recent sets. Thereafter it was a pure aural smashing eargasm of their songs NON STOP. They made 2 small breaks which the crowd confused as the show ending, but NO, it was just to prepare for the bad ass Exogenesis Part I and damn I can't remember when the other break took place.
The setlist was as follows:
Uprising
Supermassive Black Hole
Map of the Problematique
Resistance
Interlude
Hysteria
Stockholm Syndrome + War Within A Breath riff
Nishe
United States Of Eurasia
Sunburn
Helsinki Jam
Undisclosed Desires
MK Ultra
Starlight
Time Is Running Out
Unnatural Selection
Encore:
Exogenesis: Symphony, Part 1 (Overture )
Plug In Baby
Knights of Cydonia + Man With A Harmonica intro
What a banger of a setlist right?
It was as if right smack at Earth, Singapore time 10pm, we were transported to another plane of existence. Muse entertained us non stop for what seem like an inordinate amount of time (cue massive crowd sing along, screaming, shouting, laser lights show, but I was hoping Bellamy would smash a guitar or two, too bad all he did was just change guitars after each song). It was singularly the most awesome, plural, adrenaline charged, auraltastic, add whatever you want to say about them, Muse just tore the damn place down with their music and everything else. It's one concert I won't forget and I'm pretty sure every time I listen to their music again, I would be transported back to those instances where the crowd raged to the song as Matt let loose his vibratos (there was a chick who had a placard that said "Fuck me Bellamy" straightforward no?), Chris riffed away in a medley of madness, while Dominic banged on the drums in a flurry of hand movements. Unforgettable really - seeing Matthew Bellamy, Christopher Wolstenholme and Dominic Howard live is utterly unbelievable, like a pilgrimage to the gods. We died and went to heaven and came back, only to die again, go to heaven and come back several times over.
A couple of videos of them live in Singapore below.
Muse - MK Ultra
Muse - Hysteria
Muse - Time Is Running Out
Muse - Starlight
Muse - Plug In Baby
Labels:
Muse
Tuesday, February 2, 2010
feels like I've been buried yet i'm still alive
As most would know, the 52nd Grammy's is over and blah blah blah (read: you can find the winners by googling them, who won the most awards, who was in extreme outfits, Oh not GaGa really, who was naked etc etc). Also, whether the Grammy's a farce, it's a debate that I'm inclined to set aside since what I want to talk about is Phoenix, YES, Phoenix of WOLFGANG AMADEUS PHOENIX. They won the Best Alternative Music Album award. Now what perplexed me initially was they were classified as alternative? I had much gripes because I thought their album was more pop than alt (rock). But upon checking wiki (I deem wiki as a reliable source), alternative music is defined as such.
Alternative rock (also called alternative music, alt-rock or simply alternative) is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s. Alternative rock consists of various subgenres that have emerged from the independent music scene since the 1980s, such as grunge, Britpop, gothic rock, and indie pop. These genres are unified by their collective debt to the style and/or ethos of punk rock, which laid the groundwork for alternative music in the 1970s.[1] At times alternative rock has been used as a catch-all phrase for rock music from underground artists in the 1980s, and all music descended from punk rock (including punk itself, New Wave, and post-punk).
So there, can't fault them much I say. I guess it was pretty much a shoo-in, they came up with one of the most infectious, unassuming and possibly one of the most brilliant albums of 2009. It was a light-hearted romp, with instant über-catchy hits 1901 and Lisztomania, boppy and intense-need-to-hum-along Fences to the synth-heavy love ballad Rome, Wolfgang Amadeus Phoenix is chockful of delightful tunes, that I'd be confident enough to say there is definitely at least one track that anyone would like. Phoenix may not be as famous as their French counterparts Daft Punk, but with WAP, they've certainly put themselves under the radar and for time to come. Lisztomania? Maybe, but having lived through the noughties, I'd say Phoenixomania seems more apt.
Phoenix - Lasso
Phoenix - Countdown (Sick For The Big Sun)
Their older stuff which are just as good, if not even better.
Phoenix - Everything Is Everything
Phoenix - Long Distance Call
Phoenix - If I Ever Feel Better
Labels:
Phoenix
Monday, February 1, 2010
and in the dark, i can hear your heartbeat
As most would know by now, Florence + the Machine and The xx will be performing at the Esplanade Theatre this Sunday, 7 Feb.
Here's what the press release says.
The beguiling London three-piece The xx will open the February 7 show and are sure to win a legion of new fans with their unique blend of music which embraces an artistic thread that resonates with critics and fans due to the universal influences that pepper their repetoire. This critically acclaimed band of quiet achievers are a compelling live act and Singapore fans are in for a treat.
Performing the same night is award winning indie artiste Florence & The Machine. Equipped with a mega voice and a repetoire of songs including radio favourites ‘Kiss With a Fist’, ‘Dog Days Are Over’ and ‘The Drumming Song’ from her roundly praised debut album ‘Lungs’, Florence has been hailed by UK daily The Times as "the most peculiar and most highly acclaimed female singer of the moment". The album has been in the top 40 UK charts for 22 consecutive weeks, going three times platinum in the UK alone. Classy and confident with a vocal range that is as big as the imagination it expresses, Florence will be completely in her element with her Singapore fans absorbing every sound, lyric and action.
Not that we already do not know how beguiling and alluring The xx's minimalist semi chants are or how stratospheric this mega-voiced artiste can go (along with her band), so we in Singapore are definitely in for a treat on Sunday.
Buy your tickets here if you havent, but there's only 1 category left and in 2 other categories, there's only single seats available. But but but, better than no seats!
If anyone's wondering why The xx is a trio yet there's 4 of them in the picture, it's cos Baria Qureshi(extreme right) left due to personal reasons.
The xx - Stars
Interesting lyrics talking about a girl drawing the line on the first date with a guy, but allowing him to cross the line if it comes down to it. And subsequently, they sing of "But if stars, shouldn't shine, by the very first time, then dear it's fine, so fine by me, 'cos we can give it time, so much time, with me" - which I take to mean that if the sparks don't fly the first time, it's fine as all they need is time. This brings me to something I read somewhere (can't remember), that it could also refer to their debut album, that if it doesn't shine, it's fine by them, but all they need is time. But clearly, their worries are unfounded as they've dazzled everybody with their brand of lo-fi electronic.
The xx - Heart Skipped A Beat
Yet another precocious love song, this talented English trio never fails to amaze me. Listening to the songs again and again, will always reveal nuances that weren't picked up previously. Gorgeous.
Florence + the Machine - Cosmic Love
Love the flourish at the end.
Florence + the Machine - Hurricane Drunk
Slated for release as the 6th single for her spectacular debut album "Lungs". She invokes a feeling that almost everyone has felt - heartbreak, and how she's going to drink that away, yet she doesn't need help as she's already caught in the hurricane. Intricate song that belies the higher vocal range used by Welch. Really lovely, even more so once it hits home with you.
Here's what the press release says.
The beguiling London three-piece The xx will open the February 7 show and are sure to win a legion of new fans with their unique blend of music which embraces an artistic thread that resonates with critics and fans due to the universal influences that pepper their repetoire. This critically acclaimed band of quiet achievers are a compelling live act and Singapore fans are in for a treat.
Performing the same night is award winning indie artiste Florence & The Machine. Equipped with a mega voice and a repetoire of songs including radio favourites ‘Kiss With a Fist’, ‘Dog Days Are Over’ and ‘The Drumming Song’ from her roundly praised debut album ‘Lungs’, Florence has been hailed by UK daily The Times as "the most peculiar and most highly acclaimed female singer of the moment". The album has been in the top 40 UK charts for 22 consecutive weeks, going three times platinum in the UK alone. Classy and confident with a vocal range that is as big as the imagination it expresses, Florence will be completely in her element with her Singapore fans absorbing every sound, lyric and action.
Not that we already do not know how beguiling and alluring The xx's minimalist semi chants are or how stratospheric this mega-voiced artiste can go (along with her band), so we in Singapore are definitely in for a treat on Sunday.
Buy your tickets here if you havent, but there's only 1 category left and in 2 other categories, there's only single seats available. But but but, better than no seats!
If anyone's wondering why The xx is a trio yet there's 4 of them in the picture, it's cos Baria Qureshi(extreme right) left due to personal reasons.
The xx - Stars
Interesting lyrics talking about a girl drawing the line on the first date with a guy, but allowing him to cross the line if it comes down to it. And subsequently, they sing of "But if stars, shouldn't shine, by the very first time, then dear it's fine, so fine by me, 'cos we can give it time, so much time, with me" - which I take to mean that if the sparks don't fly the first time, it's fine as all they need is time. This brings me to something I read somewhere (can't remember), that it could also refer to their debut album, that if it doesn't shine, it's fine by them, but all they need is time. But clearly, their worries are unfounded as they've dazzled everybody with their brand of lo-fi electronic.
The xx - Heart Skipped A Beat
Yet another precocious love song, this talented English trio never fails to amaze me. Listening to the songs again and again, will always reveal nuances that weren't picked up previously. Gorgeous.
Florence + the Machine - Cosmic Love
Love the flourish at the end.
Florence + the Machine - Hurricane Drunk
Slated for release as the 6th single for her spectacular debut album "Lungs". She invokes a feeling that almost everyone has felt - heartbreak, and how she's going to drink that away, yet she doesn't need help as she's already caught in the hurricane. Intricate song that belies the higher vocal range used by Welch. Really lovely, even more so once it hits home with you.
Labels:
Florence and the Machine,
The xx
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