Tuesday, February 9, 2010

the tragedy starts from the very first spark



Feist - The Water
The wistful voice of Feist, drawn out and hollow at times, I think she sings of desolation. Like how "the harbor becomes the sea/and light in the house keeps it collision free" reflects the solitary light emitting from the lighthouse that sweeps across the vast sea, which is also described as "not knowing it's dangerous size"; also "watching the gray sky that's acting like a good guy". The background piano complements the entire mood of the song perfectly.

Feist - Let It Die
The title song from her 2004 album, it already shows how immensely talented she is. Jazz elements which are not really present in her 2007 album "The Reminder" shows her masterful grasp of several genres. A very straightforward song about break up and it's aftermath.

Beck & Charlotte Gainsbourg - Heaven Can Wait
The daughter of British actress and singer Jane Birkin (who the Hermes Birkin was named after) and French singer-songwriter, actor and director Serge Gainsbourg. Classy song which features Beck strongly. Almost reminds me of the duet Rachael Yamagata did with Ray LaMontagne, except that their styles are quite different. Quirky and upbeat video by the way. Watch it.

Four Tet - She Just Likes To Fight
Beauty in simplicity. No over the top hooks or riffs, deep bass beats or resonating reverbs whatever. Wonderful piece by Kieran Hebden. Sit back and enjoy.

Monday, February 8, 2010

this is a gift, it comes with a price

Oh this whole week has been a blast. Went for Muse on Wednesday and was treated to an unbelievable performance by them. They never let up and gave us one hell of a concert. The same could be said of Florence + the Machine and The xx who performed to a sold out crowd yesterday at a monster on a concert.

The announcement came on, asking everyone to get seated to get ready for the start of the concert. As The xx came out, people started getting out of their seats and streamed to the front of the stage. Seeing that no one was taking any action, more went to the front as well, and me and friend obviously went to the front too. The xx dove into Crystalised. I can't remember what the setlist was, it got lost somewhere but I recall Crystalised, VCR, Basic Space, Infinity, Shelter, Islands and Night Time. There was Intro too I think. Anyway, I think they were surprised at the reception they were getting, and I was as well. Most would think (or at least I did) Singaporean fans are the most staid bunch one could expect, but the crowd obliterated that stereotype. Most were cheering wildly for The xx as they performed their pretty short but fantastic set. Initially, I stood in front of the speakers and the bass almost made my heart skip more than a couple of beats - it almost drowned out Croft's voice at certain points, so we had to move back to the aisle away from the speakers before my ears popped and to hear the vocals better. Seeing Jamie Smith work that sampler in the flesh left me awestruck in some ways. I mean damn can that thing make those sounds but seeing Jamie with his hands all over it was neat stuff. Of course, vocal interplay between Croft and Oliver was superb, Oliver's droll translating to how he speaks too. Even with the mic, it was a tad hard to make out what he was saying. That said, the trio delivered a punchy and awesome performance despite the less than stellar sound system, much to everyone's delight. They definitely got the crowd going, who were all set and left wanting for Florence + the Machine who were due after the intermission.

So intermission over, everyone was back in the hall waiting for F+tM to come out, cheers erupted, shouting "Florence, Florence!" Then "the Machine" came out, comprising Robert Ackroyd (guitar), Christopher Lloyd Hayden (drums), Isabella Summers (keyboards), Mark Saunders (bass) and Tom Monger (harp). Where was Florence? She was nowhere to be seen! Cue more cheers as the crowd went semi-manic, unable to contain the overflowing excitement for her. Point to note, now even more people were crammed in the front. And finally she came out with this odd sort of dress/robe, held together by a button in the front and wearing a sort of Lady Gaga-ish swimsuit top(?), but tastefully covered by that huge flowing robe which she used to great effect throughout. Just the sight of the red hair was more than sufficient to send the crowd into overdrive, don't talk about when she starts singing. Launching into My Boy Builds Coffins, she gave us brief glimpses of her vocal prowess. Here's the setlist,

My Boy Builds Coffins
Kiss With A Fist
Hurricane Drunk
Lungs
Drumming Song
Cosmic Love
If I Had A Heart
Blinding
Ghosts
Hospital Beds
Howl
Dog Days Are Over
You've Got The Love
Rabbit Heart (Raise It Up)

If I Had A Heart was a short cover of Fever Ray's song, which I vaguely heard. Thought I was wrong, but yeah seems like I heard it right. She showed Singapore her stratospheric vocals, which soared above and over everything else, literally carrying the entire crowd. I mean, the 5 of them backing her were excellent, but Florence was outstanding, almost eclipsing her backing band. Her vocals and onstage "dancing" drew all attention to her. It was almost as if the backing band faded into the background gracefully while she just dazzled and wowed everybody (I am not taking any credit away from the band as they fully deserve props for supporting Florence wonderfully, just saying what I felt during the concert). That was epitomised by the moment when the whole concert hall went dark, save for one spotlight on her, perfect moment which I failed to capture since my PnS was crappy and it said "Memory Full". I don't feel like going on about how my dslr batt was flat and forgot to charge which I could only blame myself for as something gained from it was being able to soak in the entire atmosphere and indulge myself in everything this flame-haired ingenue is capable of. You see, other than singing, she engaged the crowd which was something The xx didn't do as much. Her antics throughout the entire performance revealed something about her. She was almost shy/reserved and had this intriguing child-like naivete but yet spontaneous and effervescent, and every bit the singer. I believe singing sets her free, much like a butterfly breaking out of it's cocoon and spreading it's wings. You see, someone right in the front had a Polaroid and took a portrait of her and as she got close, he/she gave it to her. She loved it so much and was delighted like a small girl who received a doll. Later, she got borrowed the Polaroid from the same person, to take a picture of the crowd for keepsake, but due to the lights being turned off, she got a black photo which she realised only a little later to which she pouted. So she had to borrow the polaroid again, and the crowd shouted "lights!" and the photo turned out just fine this time. Plain adorable and fun, she was pretty much the power-packed chanteuse that charmed the socks of everyone present. She even stopped to pose for a photo for the person with the polaroid. There were more little antics that endeared her to everyone, but I won't go on describing them. Lastly, much envy to the person (polaroid camera guy/girl) who got her drumstick which she personally gave. Oh, the green eyes.

I enjoyed every bit of the gig. The xx showcasing their minimalist lo-fi (which totally did not sound lo-fi with the ear-smashing bass), coupled with the whispery, almost lulling vocal interplay between Oliver and Romy. Perfect way to start the night. Starkly contrasted by F+tM who soared to great vocal heights, almost operatic, showing why her debut album wasn't named "Lungs" for nothing, at the same time charming the crowd with her antics and pretty deft show(wo)manship. A thorough blast which rounded off my week perfectly.


Couple of vids of the gig.

Florence + the Machine - Kiss With A Fist

Florence + the Machine - Rabbit Heart (Raise It Up)

The xx - VCR

The xx - Crystalised

Thursday, February 4, 2010

you will squeeze the life out of me



Above picture is of Matt at Fort Canning in 2007. Until I can find a decent photo of the concert last night, I'll leave it as that.

Yesterday was Big Night Out 2010, but more accurately put, it was the night of Muse. Saosin and then Rise Against performed small sets. Saosin surprisingly sounded much much louder and wilder than their album songs, like Voices was more screaming rock than I expected. Rise Against came out with similar songs, but surprised us with 2 acoustic numbers which I must admit was good. After which, the lead singer asked us if we were ready for Muse. Guess he knew what most of us were there for. And gee, when Rise Against left the stage, there was almost 40 mins before they came. They kept playing songs over the system, not too loud, and each time the music stopped, everyone would keep cheering, thinking that they would be coming out. BUT IT WAS JUST A TEASE. Anyway, I made out AnCo's My Girls and Cut Copy's Heart on Fire above the noise during the interval. And finally at 10, those 3 came out with a fucking bang. They launched into Uprising as they did for a couple of their recent sets. Thereafter it was a pure aural smashing eargasm of their songs NON STOP. They made 2 small breaks which the crowd confused as the show ending, but NO, it was just to prepare for the bad ass Exogenesis Part I and damn I can't remember when the other break took place.

The setlist was as follows:
Uprising
Supermassive Black Hole
Map of the Problematique
Resistance
Interlude
Hysteria
Stockholm Syndrome + War Within A Breath riff
Nishe
United States Of Eurasia
Sunburn
Helsinki Jam
Undisclosed Desires
MK Ultra
Starlight
Time Is Running Out
Unnatural Selection
Encore:
Exogenesis: Symphony, Part 1 (Overture )
Plug In Baby
Knights of Cydonia + Man With A Harmonica intro

What a banger of a setlist right?

It was as if right smack at Earth, Singapore time 10pm, we were transported to another plane of existence. Muse entertained us non stop for what seem like an inordinate amount of time (cue massive crowd sing along, screaming, shouting, laser lights show, but I was hoping Bellamy would smash a guitar or two, too bad all he did was just change guitars after each song). It was singularly the most awesome, plural, adrenaline charged, auraltastic, add whatever you want to say about them, Muse just tore the damn place down with their music and everything else. It's one concert I won't forget and I'm pretty sure every time I listen to their music again, I would be transported back to those instances where the crowd raged to the song as Matt let loose his vibratos (there was a chick who had a placard that said "Fuck me Bellamy" straightforward no?), Chris riffed away in a medley of madness, while Dominic banged on the drums in a flurry of hand movements. Unforgettable really - seeing Matthew Bellamy, Christopher Wolstenholme and Dominic Howard live is utterly unbelievable, like a pilgrimage to the gods. We died and went to heaven and came back, only to die again, go to heaven and come back several times over.

A couple of videos of them live in Singapore below.

Muse - MK Ultra

Muse - Hysteria

Muse - Time Is Running Out

Muse - Starlight

Muse - Plug In Baby

Tuesday, February 2, 2010

feels like I've been buried yet i'm still alive




As most would know, the 52nd Grammy's is over and blah blah blah (read: you can find the winners by googling them, who won the most awards, who was in extreme outfits, Oh not GaGa really, who was naked etc etc). Also, whether the Grammy's a farce, it's a debate that I'm inclined to set aside since what I want to talk about is Phoenix, YES, Phoenix of WOLFGANG AMADEUS PHOENIX. They won the Best Alternative Music Album award. Now what perplexed me initially was they were classified as alternative? I had much gripes because I thought their album was more pop than alt (rock). But upon checking wiki (I deem wiki as a reliable source), alternative music is defined as such.

Alternative rock (also called alternative music, alt-rock or simply alternative) is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s. Alternative rock consists of various subgenres that have emerged from the independent music scene since the 1980s, such as grunge, Britpop, gothic rock, and indie pop. These genres are unified by their collective debt to the style and/or ethos of punk rock, which laid the groundwork for alternative music in the 1970s.[1] At times alternative rock has been used as a catch-all phrase for rock music from underground artists in the 1980s, and all music descended from punk rock (including punk itself, New Wave, and post-punk).

So there, can't fault them much I say. I guess it was pretty much a shoo-in, they came up with one of the most infectious, unassuming and possibly one of the most brilliant albums of 2009. It was a light-hearted romp, with instant über-catchy hits 1901 and Lisztomania, boppy and intense-need-to-hum-along Fences to the synth-heavy love ballad Rome, Wolfgang Amadeus Phoenix is chockful of delightful tunes, that I'd be confident enough to say there is definitely at least one track that anyone would like. Phoenix may not be as famous as their French counterparts Daft Punk, but with WAP, they've certainly put themselves under the radar and for time to come. Lisztomania? Maybe, but having lived through the noughties, I'd say Phoenixomania seems more apt.

Phoenix - Lasso

Phoenix - Countdown (Sick For The Big Sun)


Their older stuff which are just as good, if not even better.
Phoenix - Everything Is Everything

Phoenix - Long Distance Call

Phoenix - If I Ever Feel Better

Monday, February 1, 2010

and in the dark, i can hear your heartbeat

As most would know by now, Florence + the Machine and The xx will be performing at the Esplanade Theatre this Sunday, 7 Feb.

Here's what the press release says.

The beguiling London three-piece The xx will open the February 7 show and are sure to win a legion of new fans with their unique blend of music which embraces an artistic thread that resonates with critics and fans due to the universal influences that pepper their repetoire. This critically acclaimed band of quiet achievers are a compelling live act and Singapore fans are in for a treat.

Performing the same night is award winning indie artiste Florence & The Machine. Equipped with a mega voice and a repetoire of songs including radio favourites ‘Kiss With a Fist’, ‘Dog Days Are Over’ and ‘The Drumming Song’ from her roundly praised debut album ‘Lungs’, Florence has been hailed by UK daily The Times as "the most peculiar and most highly acclaimed female singer of the moment". The album has been in the top 40 UK charts for 22 consecutive weeks, going three times platinum in the UK alone. Classy and confident with a vocal range that is as big as the imagination it expresses, Florence will be completely in her element with her Singapore fans absorbing every sound, lyric and action.

Not that we already do not know how beguiling and alluring The xx's minimalist semi chants are or how stratospheric this mega-voiced artiste can go (along with her band), so we in Singapore are definitely in for a treat on Sunday.

Buy your tickets here if you havent, but there's only 1 category left and in 2 other categories, there's only single seats available. But but but, better than no seats!



If anyone's wondering why The xx is a trio yet there's 4 of them in the picture, it's cos Baria Qureshi(extreme right) left due to personal reasons.

The xx - Stars
Interesting lyrics talking about a girl drawing the line on the first date with a guy, but allowing him to cross the line if it comes down to it. And subsequently, they sing of "But if stars, shouldn't shine, by the very first time, then dear it's fine, so fine by me, 'cos we can give it time, so much time, with me" - which I take to mean that if the sparks don't fly the first time, it's fine as all they need is time. This brings me to something I read somewhere (can't remember), that it could also refer to their debut album, that if it doesn't shine, it's fine by them, but all they need is time. But clearly, their worries are unfounded as they've dazzled everybody with their brand of lo-fi electronic.

The xx - Heart Skipped A Beat
Yet another precocious love song, this talented English trio never fails to amaze me. Listening to the songs again and again, will always reveal nuances that weren't picked up previously. Gorgeous.





Florence + the Machine - Cosmic Love
Love the flourish at the end.

Florence + the Machine - Hurricane Drunk
Slated for release as the 6th single for her spectacular debut album "Lungs". She invokes a feeling that almost everyone has felt - heartbreak, and how she's going to drink that away, yet she doesn't need help as she's already caught in the hurricane. Intricate song that belies the higher vocal range used by Welch. Really lovely, even more so once it hits home with you.

Sunday, January 31, 2010

it sounds like we would have had a great deal to say to each other



Daft Punk - Harder, Better, Faster, Stronger
The pioneers of french house/electro movement, they bring one of their most popular songs. Solid house beat that's catchy - what's not to love about this song? And which ever lady did the video, must have went through a hell lot of practice. That is one sick video.

Daft Punk - One More Time
Another of their 'classics', I'd say LET'S BOOGIIEEEE! The video is a cut of Interstella 5555, a japanese animated film that is a visual realisation of "Discovery", the album from which both these songs are from.

Local Natives - Airplanes
Recently released music video for the song. Love the stop motion utilised in the video.

From "I did not know you as well,as my father knew you" it seems that they are singing about "their" grandfather, and wanting him back. Very beautifully crafted song with affecting lyrics.

Efterklang - Modern Drift
Extremely beautiful video that perfectly suits the song. They make use of various instruments that each member is prolific at, melding the piano and drums wonderfully to create that intense mood at the opening. Building up the whole atmosphere with the short and interspersed thumping of the bass drum, it is one fantastic song.

The Saturday Mix #34



The Temper Trap - Fader
Third single of their album "Conditions", and riding on the success of Sweet Disposition and Science of Fear, I think they decided to release this. Personally, it's not bad, good rock stuff with pretty solid riffs, but nothing spectacular - the previous two were definitely better.

The Temper Trap - Fader (Adam Freeland Remix)
Nice electro twist to this song, but at certain points, it becomes a bit of an overkill.

Phoenix - Fences (Delphic Remix)
Danceable remix by Mancunians Delphic, but a tad too long don't you think? But I doubt that when you're high on booze (and maybe drugs), you'd really be nitpicking about the length of the song.

The Raveonettes - Last Dance (Kap10kurt Dream Mix)
Nice and groovvvvy. This remix is tight, and adds more bounce to an already bouncey track. There's a Sound of Arrows feel don't you think so? Collab please!

Delphic - Doubt (MXWL Remix)
Pretty decent dubstep remix, but not the rock-your-socks-and-clothes-off-and-I-need-to-get-moving-right-now kind.

Wolf Gang - The King and All His Men (Joe Goddard Remix)

Miike Snow - Silvia (Sinden Remix)
Wow, finally Silvia gets it's turn at a remix. From total electro-ballad to dance-floor dope.